![]() ![]() The 60 films - to commemorate the 60th anniversary of the State of Israel in May 2008 - were balanced between drama and documentary and between Israel and the Diaspora. Insights like these led to "I Am You Are" (2007), four short student films about Polish-Jewish relations, that were screened at the recent Ninth Jerusalem Jewish Film Festival, organized by the Jerusalem Cin?math?que. Rubbing his nose brings good luck as well. ![]() Also in Lodz is a bronze sculpture of a Jewish-looking man sitting on a bench. But if it faces the door, the money will leave the house. ![]() A doll with a coin attached to it or an image of a Jew holding money is supposed to bring good luck to its owner. Jews bring Poles good luck, a group of Jerusalem students discovered when they traveled to Lodz for a filmmaking workshop. Hocus focus films in jerusalem full#For full story please subscribe to The Jerusalem Report click here to subscribe. Screenwriter: Nir Bergman, based on the novel by David Grossman.ĭirector of Photography: Biniamin Nimrod Chirem.Ĭast: Roee Elsberg, Orly Silbersatz Banai, Yehuda Almagor, Evelyn Kaplun, Yael Sgerski, Eden Lutterberg, Rivka Gur.Extract from an article in Issue 20, Januof The Jerusalem Report. Production: Libretto Films, Norma Pictures. Section: Tokyo International Film Festival, In Competition He’s assisted by a strong performance by Elsberg as the isolated Aharon, who conveys an air of defeat and victory in his final desperate act. Bergman has a sharp eye for the mundane, and creates an almost palpable environment anyone could understand wanting to escape from. In many ways Intimate Grammar is also about collapse, as everything and everyone in the film eventually does so, like Miss Blum’s initially harmless misguided infatuation with Moshe that eventually turns tragic. It’s his only escape from the constant humiliation Hinda subjects him to and the agony of his broken heart. Aharon’s imagination, up to this point, was only referred to as something he should get over by friends and family, but when Bergman indulges that part of the story (more easily done on the page to be sure) the themes of loneliness and resistance come into sharper relief. Things pick up after Aharon’s bar mitzvah and he finds himself entangled in a youthful love triangle, and his vibrant inner life at odds with everyone and everything around him. His neighbor, Miss Blum ( Evelyn Kaplun), is the catalyst that causes his fragile family to implode, and he’s losing his first love to his more adult best friend Gidon ( Eden Lutterberg).įor almost half of its running time, “Intimate Grammar” is largely inert plenty goes on but the story and characters don’t really go anywhere. His vulgar, anti-intellectual father Moshe ( Yehuda Almagor) is a pathetic parental role model and shrewish mother Hinda ( Orly Silbersatz Banai, flirting with caricature) is putting the fear of god into him when she’s not browbeating him for being an undersized embarrassment to her. It’s at this time that smart, sensitive adolescent Aharon ( Roee Elsberg), 13 years old and small for his age, finds himself drowning in his own life. In the early 1960s, the state of Israel is coming into its own as it simultaneously heads toward armed conflict with Syria and Egypt. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |